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6 results for Indy Week Vol. 34 Issue 6, Feb 2017
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28960
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The Barn of Chapel Hill, owned by Kara and Chris Brewer, has been the center of a debate over what should and should not constitute a farm in North Carolina today. The Brewers plan to use their farm as an agritourism site, a way of bringing in revenue to support the farm. The dilemma is that the property would be used as both a commercial business and farm.
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Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 6, Feb 2017, p8, por Periodical Website
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Record #:
28961
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The Deferred Action for Childhood Arrivals program grants temporary work permits and a deportation reprieve to undocumented immigrants who arrive as minors. Now, under a new presidency, students are pressing the University of North Carolina system to establish itself as a sanctuary campus by refusing to comply with government efforts to deport undocumented students.
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Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 6, Feb 2017, p9, por Periodical Website
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28962
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At Old Havana Sandwich Shop, Copa Matos and his wife Elizabeth Turnbull have dug up both local ingredients and a rich culinary history, pressing them into sandwiches and showcasing them in their recent dinner series “Lost Dishes of Cuba”. The small farm-to-table restaurant has been operating for six years in Durham.
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Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 6, Feb 2017, p13, il Periodical Website
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28963
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Steph Stewart and Mario Arnez are the duo, Blue Cactus, from Chapel Hill. Their music is a mix of classic country music, honky-tonk, and modern string instruments. Songs on their debut album explore heartbreak and hope with time-tested honky-tonk humor.
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Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 6, Feb 2017, p14-15, por Periodical Website
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28964
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Dom Flemons, Kaia Kater, and Jerron “Blind Boy” Paxton are among a handful of people of color who are asserting their rightful place in folk, bluegrass, and old-time music. The three musicians recognize the centuries-long impact of racial discrimination in music. Their performance in Raleigh will spotlight the African roots of the banjo, and feature music and songs which use rhetoric as a way to break barriers and open minds.
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Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 6, Feb 2017, p16-17, por Periodical Website
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28965
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In recent years, local choreographers have made a lot of work about the challenges of maintaining individuality in an artistic community and in society generally. In Echo, a collaboration between dancer-choreographer Justin Tornow and visual artist Heather Gordon, different levels of identity are explored. Tornow splits the same performance, presented differently, across several spaces within the 21c Museum Hotel in Durham.
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Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 6, Feb 2017, p20, por Periodical Website
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