NCPI Workmark
Articles in regional publications that pertain to a wide range of North Carolina-related topics.

Search Results


13 results for Artists--Durham
Currently viewing results 1 - 13
PAGE OF 1
Record #:
1670
Author(s):
Abstract:
Durham resident Bryant Holsenbeck, a visual artist who acknowledges the aesthetic qualities in bric-a-brac and detritus, has been honored with an Indie, Triangle Arts Award.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 12 Issue 25, June 1994, p11, por Periodical Website
Record #:
2562
Author(s):
Abstract:
Durham artist Bryant Holsenbeck has evolved through pottery to basketry, to become an eco-artist, hunting and gathering society's discards to form them into artistic creations.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 13 Issue 41, Oct 1995, p15-16, por Periodical Website
Record #:
2563
Author(s):
Abstract:
Relocating to Durham in 1989, former Chicago commodities trader Jeff Goll has developed into a well-known regional artist with the potential to achieve national recognition.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 13 Issue 41, Oct 1995, p17, por Periodical Website
Record #:
22215
Author(s):
Abstract:
Vitiello discusses the work of nationally known Durham artist Stacy Lynn Waddell. Waddell from Franklin County studied at NC State's College of Design and earned an MFA in studio art at UNC-Chapel Hill in 2007. Among her tools are branding irons, watercolors, gold leaf, and other items.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 31 Issue 19, May 2014, p30-31, il Periodical Website
Subject(s):
Full Text:
Record #:
27178
Author(s):
Abstract:
The Carrack Modern Art gallery moved to the Torus Building, a new space in downtown Durham. Celebrating its fifth anniversary, the Carrack welcomes musicians, filmmakers, poets, and dancers. Their mission is to connect artists, particularly marginalized and emerging ones, with social and financial support.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 33 Issue 22, June 2016, p16-18, il Periodical Website
Full Text:
Record #:
27233
Author(s):
Abstract:
Durham Artists Movement (DAM) is a collective of people of color and LGBTQ people seeking safe space to create and share art. After the Carrack Modern Art closed, DAM has been using the loft as their gallery. This Friday, DAM will have an art show to gauge public support for the gallery and form community relations.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 33 Issue 29, July 2016, p21-22, por Periodical Website
Full Text:
Record #:
28403
Author(s):
Abstract:
Durham resident Edie Cohn works on the Homeless People Project to give Durham’s homeless individuals a face and voice. Cohn spends one day each week at Durham’s Community Shelter for HOPE sketching one individual and recording his or her life’s story. Cohn hopes to publish and book and turn the drawings and interviews into a traveling exhibit. The stories and portraits of eight homeless persons from Durham are included in the article.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 11 Issue 29, July 1993, p8-11 Periodical Website
Record #:
28803
Author(s):
Abstract:
The Durham Artists Movement is a safe space and a strong voice for marginalized artists. Saba Taj and Catherine Edgerton have helped guide the movement through a transformative six-month stay in the former Carrack Modern Art space.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 33 Issue 48, Dec 2016, p15, por Periodical Website
Full Text:
Record #:
29006
Author(s):
Abstract:
Catherine Edgerton, a Durham-based visual artist and musician, will display her multimedia journals at The Carrack Modern Art, as part of an exhibit called Bottled Light. It also features her kaleidoscopes, which are stained glass wheels with found objects. For Edgerton, both mediums are therapeutic ways of externalizing her head space in order to help others navigate their mental health issues.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 13, April 2017, p24, il Periodical Website
Full Text:
Record #:
29034
Author(s):
Abstract:
Artist Luke Demarest has a new solo exhibit at Durham’s Carrack Modern Art called, Aibohphobia and the Reifer’s Schadenfreude. Demarest uses 3-D printing and other mediums to test the boundaries of language, the borders between human and machine, and the interaction of design and chance.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 17, May 2017, p22-23, por Periodical Website
Full Text:
Record #:
29274
Author(s):
Abstract:
The photographs of John Menapace of Durham will be exhibited this fall in the Museum’s North Carolina Gallery. The series of black and white photographs show public places in urban areas which are in a state of decay or disrepair. Despite the situations and the lack of humans, the photographs seem to capture the beauty and elegance and show the passage of time. Menapace has been the design and production manager for Duke University Press in Durham for nearly 30 years.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Autumn 1984, p9-10
Record #:
29304
Author(s):
Abstract:
An exhibition of works on paper by North Carolina artists will be exhibited this spring in the North Carolina Gallery. Photographs by John Menapace of Durham and Elizabeth Matheson of Chapel Hill will be displayed. Jim Starrett of North Carolina State University, Dennis Zaborowski of the University of North Carolina at Chapel Hill, Richard C. of the Southeastern Center of Contemporary Art, and Richard Stenhouse of Charlotte will also have works on display.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Spring 1985, p9-10
Record #:
29387
Author(s):
Abstract:
Artist Buky Schwartz’s new Videospiral piece combines painting, drawing, sculpture, video in a work which demands the involvement of the viewer. Viewers encounter black and white forms on a wall to the left and free standing sculptures as they walk through the exhibit space. On the right of the exhibit, video monitors show viewers interactions with the piece from another angle which adds depth and motion to the static artwork. The work changes as the viewers move down the exhibition space and the perspective shown on each subsequent video monitor show these changes over time.
Source:
Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1985-1986, p12-13