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70 results for "North Carolina Museum of Art"
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Record #:
2369
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The North Carolina Museum of Art recently acquired one of its most important paintings, Pieter Aertsen's \"Meat Stall with the Holy Family Giving Alms\" (1551), a type of work known as a market-piece.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Winter 1995, p14-17, il
Record #:
2370
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The North Carolina Museum of Art has begun work on its new outdoor Museum Park Theater. When completed in 1996, the theater will handle such functions as musical and dramatic productions, films, and lectures.
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Preview (NoCar Oversize N 715 R2 A26), Vol. Issue , Summer 1995, p2-5, il
Record #:
3154
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The spring of 1997 marks the 50th anniversary of the General Assembly's appropriation of funds for the creation of the North Carolina Museum of Art, the first state art museum in the nation started with public funds.
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Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 15 Issue 2, Jan 1997, p11-12, il Periodical Website
Record #:
3942
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The North Carolina Museum of Art had a unique beginning, one that was both scoffed at and praised. In 1947, North Carolina became the first state to appropriate funds for a public art collection, when the General Assembly approved $1-million to purchase works of art. The Museum of Art was not opened until the 1950s. Today, it is the cultural showplace of the state and is visited by over a quarter of a million people annually.
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North Carolina (NoCar F 251 W4), Vol. 56 Issue 11, Nov 1998, p76, il
Record #:
4758
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Over the past decade a number of changes have taken place at the North Carolina Museum of Art in Raleigh. The museum entrance has been redesigned; the Museum Park Theater has been built; work on the sculpture garden has started; and the galleries for African, Oceanic, and Native American art have reopened on a new exhibition level.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 17 Issue 9, Mar 2000, p23, il Periodical Website
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Record #:
4946
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In 1950, the North Carolina General Assembly in a controversial move appropriated $1 million to make possible the purchase of the founding Kress Collection for the North Carolina Museum of Art. Today the museum's holdings number over 5,000 masterworks valued at over $1 billion.
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Record #:
4947
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John Coffey, chief curator of the North Carolina Museum of Art, heads a staff that includes Rebecca Martin Nagy, Dennis Weller, Mary Ellen Carr Soles, Huston Paschal, and David Steel. Working together over two decades, the staff has established the museum as one of the nation's best.
Source:
Metro Magazine (NoCar F 264 R1 M48), Vol. 1 Issue 7, Sept 2000, p14-18, 20-21 Periodical Website
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Record #:
4948
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The North Carolina Museum of Art's return of a painting stolen by the Nazis in 1940 to its rightful owners is hailed as a model for others engaged in similar claims. The painting, \"Madonna and Child in a Landscape,\" painted by Lucas Cranach in the 16th-century, was in turn sold back to the museum by the family for $600,000. It is the first such claim to stolen art work to end without a long court fight.
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Record #:
4949
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Even the greatest works of art fall victim to the ravages of time. Conservators today use their expertise to repair paintings from the canvas up and just not paint over sections needing repair as their predecessors did. Restoration of the North Carolina Museum of Art's famous \"Views of Dresden,\" painted by Bernado Bellotto in 1747 and 1748, is discussed. Originally purchased in 1952 for $10,000 each, the paintings are now worth $10 million a piece.
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Record #:
8904
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Robert Lee Humber successfully lobbied $1,000,000 from the North Carolina legislature in 1947. Humber had obtained a promise from the Kress Foundation in New York that they would match the legislature up to $1,000,000 in purchasing art. Humber lobbied legislatures into passing a bill that stipulated that if money was left over at the end of the year that money would be used for matching the Kress Foundation. The funds were matched and the North Carolina Museum of Art now exists because of Humber's efforts. Article is reprinted from the January 12, 1957 issue.
Source:
The State (NoCar F 251 S77), Vol. 51 Issue 8, Jan 1984, p49-50, por
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Record #:
10446
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In a new series of articles, Suberman discusses paintings in the North Carolina Museum of Art. This month's painting is Sir William Pepperrell and His Family by John Singleton Copley. The museum acquired the painting through the original 1947 appropriation by the North Carolina General Assembly.
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Record #:
10447
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In this ongoing series of articles, Suberman discusses paintings in the North Carolina Museum of Art. This month's painting is Francisco Goya's THE TOPERS. The painting was a gift to the museum by the Mary Reynolds Babcock Foundation of Winston-Salem.
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Record #:
10448
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In this ongoing series of articles, Suberman discusses paintings and sculptures in the North Carolina Museum of Art. This month's work is a sculpture by Peter Koellin, The Madonna with the Protective Cloak, ca. 1471. The sculpture was donated to the museum by the RJ Reynolds Company of Winston-Salem in 1961.
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Record #:
10449
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In this ongoing series of articles, Suberman discusses paintings and sculptures in the North Carolina Museum of Art. This month's work is a portrait of Lady Arabella Stuart, painted in 1590 by Marcus Gheeraerts.
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Record #:
10450
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In this ongoing series of articles, Suberman discusses paintings and sculptures in the North Carolina Museum of Art. This month's work is a sculpture by Barbara Hepworth, titled CURLEW II-STRING FIGURE.
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