NCPI Workmark
Articles in regional publications that pertain to a wide range of North Carolina-related topics.

Search Results


9 results for "Art centers--North Carolina"
Currently viewing results 1 - 9
PAGE OF 1
Record #:
26989
Author(s):
Abstract:
The Durham Arts Center largely runs on corporate donations, and some people feel that the money is overlooking artists’ needs and desires. As long as the local arts scene is controlled from the top down, the needs of the serious artist are confused with the need to feign culture.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 6 Issue 21, Nov 3-16 1988, p26 Periodical Website
Record #:
34758
Author(s):
Abstract:
The Carteret Summer Art Studio was held in Morehead City in 1969 to showcase local artists work. A local family offered use of their property—guest instructors stayed on the upper floor while the porch and dining room were used as classroom space. Several well-known North Carolina artists served as instructors and artists staffed the studio and store throughout the summer. Unfortunately, the studio did not continue the next summer.
Source:
The Researcher (NoCar F 262 C23 R47), Vol. 24 Issue 1, Spring-Summer 2008, p7-8, il, por
Record #:
28993
Author(s):
Abstract:
Maria Britton and April Childers are owners of the L.O.G., or low occupancy gallery, in Chapel Hill. The art gallery is located in the woods and offers a space for artists blending the experience of art with the experience of nature.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 34 Issue 11, March 2017, p36, il Periodical Website
Full Text:
Record #:
18773
Abstract:
The use of historic landmarks for community and local organizations is a growing trend in national and state preservation. North Carolina exemplifies this adaptive reuse strategy for many of its historic landmarks.
Record #:
23970
Author(s):
Abstract:
Bill Thelen, founder and director of Raleigh gallery and collective Lump, recently curated an exhibit consisting of art from more than 85 artists. CAM Raleigh hosts the exhibit titled The Nothing That Is.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 32 Issue 29, July 2015, p14-15, il Periodical Website
Full Text:
Record #:
24040
Abstract:
Open Hearts Art Center is a non-profit organization that serves Buncombe County adults with intellectual or developmental disabilities by providing them with community, creative, expression, and income from the sale of their artwork
Record #:
26986
Author(s):
Abstract:
An event was held at Raleigh’s Memorial Auditorium to photograph the entire Wake county artistic community. The photographs will be used to promote Artspace, a city-supported exhibition/studio building. Artspace has attracted a variety of artists such as potters, painters, jewelry makers, and metal smiths.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 6 Issue 20, Oct 20-Nov 2 1988, p24, por Periodical Website
Record #:
27833
Author(s):
Abstract:
The Raleigh Institute of Contemporary Art is now open. The new art school’s model of instruction is to have new artists learn alongside working artists. These local working artists teach students in the studio and focus their instruction on practical instruction and not classical training. The center was founded by Raleigh artist Mia Yoon. The school will focus on conceptual art, assemblage of found materials, urban art, visual journalism, collage, drawing, graphic design, photography, and more.
Source:
Independent Weekly (NoCar Oversize AP 2 .I57 [volumes 13 - 23 on microfilm]), Vol. 27 Issue 4, January 2010, p21 Periodical Website
Record #:
28800
Author(s):
Abstract:
A time capsule from 1966 was opened at The Scrap Exchange, a pioneering creative reuse center located in the former Center Theater building in Durham. The time capsule contained items such as film reels, photos, news articles, and a list of people who buried the time capsule.
Source:
Indy Week (NoCar Oversize AP 2 .I57), Vol. 33 Issue 49, Dec 2016, p23-25, por Periodical Website
Full Text: